Tuesday, May 1, 2018

Download lagu Anggun

Anggun Cipta Sasmi (lahir di Jakarta, 29 April 1974; umur 42 tahun; lebih dikenal sebagai Anggun) adalah penyanyi Indonesia yang saat ini telah memiliki kewarganegaraan Perancis. Ia merupakan putri dari Darto Singo, seorang seniman berdarah Jawa, dan Dien Herdina, seorang perempuan yang masih kerabat Keraton Yogyakarta. Ia mengawali kariernya dengan tampil di panggung Ancol pada usia tujuh tahun, lalu merekam album anak-anak dua tahun kemudian. Di bawah bimbingan musisi Ian Antono, Anggun merekam album studio pertamanya di Indonesia berjudul Dunia Aku Punya pada tahun 1986. Namun, namanya baru melambung sebagai penyanyi rock setelah merilis singel berjudul "Mimpi" pada tahun 1989. Anggun berhasil meraih sukses selama paruh awal dekade 1990-an melalui sederet singel hits seperti "Tua Tua Keladi", "Laba Laba", "Takut", "Nafas Cinta", dan "Kembalilah Kasih". Majalah Popular menganugerahi Anggun sebagai "Artis Indonesia Terpopuler 1990–1991".
Pada tahun 1994, Anggun meninggalkan Indonesia untuk mewujudkan impiannya menjadi artis bertaraf internasional. Dengan bantuan Erick Benzi, seorang produser besar Perancis, ia berhasil merekam album internasional pertamanya berjudul Snow on the Sahara. Album ini dirilis pada tahun 1997 di 33 negara di seluruh dunia, termasuk Amerika Serikat yang menjadi kiblat musik global. Sejak saat itu Anggun telah menghasilkan sebanyak lima album internasional yang direkam dalam dua versi, bahasa Inggris dan bahasa Perancis. Selain itu, ia telah merekam kolaborasi dengan banyak artis mancanegara, termasuk di antaranya Julio Iglesias, Peter Gabriel, Pras Michel (The Fugees), Il Divo, David Foster dan Melanie C (Spice Girls). Anggun merambah ke ajang pencarian bakat televisi lewat X Factor Indonesia (2013), yang menjadikannya 

juri termahal dalam sejarah pertelevisian Indonesia. Ia selanjutnya juga menjadi juri Asia's Got Talent (2015) yang diikuti oleh peserta dari 15 negara di Benua Asia. Anggun merupakan penyanyi Indonesia pertama yang berhasil menembus industri musik internasional dan album-albumnya telah meraih penghargaan gold dan platinum di beberapa negara Eropa. Beberapa penghargaan telah diraih Anggun atas pencapaiannya, termasuk di antaranya anugerah prestisius "Chevalier des Arts et Lettres" dari pemerintah Perancis dan "World's Best Selling Indonesian Artist" dari World Music Awards sebagai artis Indonesia dengan penjualan album tertinggi di seluruh dunia. Ia merupakan orang Indonesia kedua setelah Proklamator Soekarno yang diabadikan dalam patung lilin oleh Museum Madame Tussauds di Bangkok, Thailand. Anggun juga telah dua kali didaulat menjadi duta global Perserikatan Bangsa-Bangsa (PBB), yaitu untuk program Mikrokredit pada tahun 2005 dan Food and Agriculture Organization (FAO) pada tahun 2009. Anggun merupakan putri pertama dari pasangan Darto Singo, seorang seniman Indonesia dengan Dien Herdina, seorang ibu rumah tangga yang masih keturunan keraton Yogyakarta. Anggun menempuh pendidikan dasarnya di sebuah sekolah Katolik di Jakarta, meskipun Anggun sendiri adalah seorang Muslim. Anggun dibesarkan dalam keluarga yang penuh seni. Sejak usia tujuh tahun Anggun digembleng latihan vokal setiap hari oleh ayahnya. Anggun diajarkan berbagai latihan teknik vokal dengan penuh disiplin. Tidak hanya itu, Anggun juga diajarkan bermain piano. Dengan dimanajeri ibunya, Anggun kemudian mulai tampil di atas panggung, meskipun sering hanya dengan imbalan nasi bungkus. Pada usia sembilan tahun, Anggun mulai menciptakan lagu-lagunya sendiri dan mulai merekan album anak-anak.
Saat menginjak usia 12 tahun, Anggun meluncurkan album rock pertamanya berjudul Dunia Aku Punya (1986). Album tersebut diproduseri oleh gitaris terkenal Indonesia, Ian Antono. Sayangnya, album ini tidak mampu mengangkat namanya. Anggun baru meroket di blantika musik Indonesia setelah merilis singel berjudul "Mimpi" pada akhir tahun 1989. Menurut majalah Rolling Stone, "Mimpi" merupakan salah satu dari "150 Lagu Indonesia Terbaik Sepanjang Masa". Popularitas Anggun terus melejit dengan dirilisnya sederet singel seperti "Tua Tua Keladi" dan "Takut". Anggun kemudian berhasil meraih penghargaan sebagai "Artis Indonesia Terpopuler 1990-1991". Setelah sukses dengan singel, Anggun kembali merilis album studio berjudul Anak Putih Abu Abu (1991), yang disusul dengan Nocturno (1992). Pada usianya yang masih belia, Anggun telah berhasil melejit sebagai salah satu penyanyi rock paling sukses di paruh awal 1990-an. Album-albumnya terjual laris di pasaran dan singel-singelnya merajai tangga lagu di Indonesia. Pada tahun 1992, Anggun mulai menjalin hubungan dengan Michel Georgea, seorang insinyur berkebangsaan Perancis. Mereka pertama kali bertemu saat Anggun mengadakan tur konser di Kota Banjarmasin. Mereka kemudian menikah dan Michael diangkat menjadi manajer Anggun. Pada usia 19 tahun, Anggun berhasil menjadi penyanyi termuda yang mendirikan perusahaan rekamannya sendiri, Bali Cipta Records. Ia juga terjun langsung sebagai produser rekaman sehingga lebih bebas dalam menggarap albumnya sendiri. Anggun kemudian merilis album studio terakhirnya di Indonesia berjudul Anggun C. Sasmi... Lah!!! pada tahun 1993. Singel pertamanya, "Kembalilah Kasih (Kita Harus Bicara)", kembali mencetak sukses dan videonya sempat menembus MTV Hong Kong. Anggun pun merasa tidak puas dengan kesuksesannya di Indonesia dan mulai memimpikan karier sebagai penyanyi bertaraf internasional

Sumber : Wikipedia

Download Lagunya dibawah ini :
1. Berganti Hati
2. Crazy 
3. Hanyalah Cinta
4. Jadi Milikmu 
5. Mimpi 
6. Saviour 
7. Rose In The Wind
8. Tua-tua Keladi 
9. Takut 
10. Sendiri 
11. Gaya Remaja 
12. Bayang Ilusi 
13. Yang Aku Tunggu 
14. Snow On The Sahara 

Saturday, April 28, 2018

Download Gambang Kromong

Gambang Kromong known as Betawi ethnic music instruments, Gambang kromong (or written gambang keromong) is a kind of orchestra that combines gamelan with Chinese musical instruments, such as sukong, tehyan, and kongahyan. The term kambang gambang is derived from the names of two percussion instruments, namely gambang and kromong. The beginning of the formation of the gambang kromong orchestra can not be separated from a Chinese community leader who was appointed Dutch (Chinese captain) named Nie Hoe Kong (tenure 1736-1740).
Gambang mine which amounts to 18 pieces, usually made of suangking wood, huru batu, manggarawan or other kind of soft wooden sound when hit. Kromong is usually made of bronze or iron, amounting to 10 pieces (ten pencon). The tone used in the kromong gambang is the Chinese pentatonic scales, often called Chinese salendro or salendro mandalungan. Instruments in the kromong gambang consist of gambang, kromong, gong, drum, flute, kecrek, and sukong, tehyan, or kongahyan as the bearer of melody.



The gambang kromong orchestra is a harmonious blend of indigenous elements with Chinese elements. Physically, the Chinese element looks at the stringed instruments of sukong, tehyan, and kongahyan. The combination of both elements of culture is also visible in the treasury of his songs. In addition to songs that show indigenous traits, such as Dalem (Classical) songs entitled: Centeh Manis Standing, Mas Nona, Ganting Sugar, Semar Gunem, Ganting Sugar, Tanjung Burung, Kula Nun Salah, and Rose Spilled and so on, and songs Sayur (Pop) entitled: Jali-jali, Stambul, Centeh Manis, Surilang, Persi, Balo-balo, Akang Haji, Renggong Buyut, Payung Snapper, Kramat Karem, Onde-onde, Ngunguk Wren, Lenggang Kangkung, Sirih Kuning and many more, there are also songs that are clearly Chinese-style, both the name of the song, the flow of melodies and lyrics, such as Kong Ji Liok, Sip Pat Mo, Poa Si Li Tan, Peh Pan Tau, Cit No Sha, Ma Cun Tay, Cu Te Pan, Cay Cu Teng, Si Si Cay, Lo Fuk Cen, and many others.
The songs that are performed on gambang kromong music are songs that are humorous, full of joy, and sometimes mockery or sarcasm. Her songwriting is sung in rotation between men and women as opposed to her.
Gambang kromong is Betawi music which is the most distributed in Betawi culture area, either in DKI Jakarta area or in the surrounding area (Jabotabek). If there are more peranakan Chinese in the local Betawi community, there are more gang kromong orchestra groups. In North Jakarta and West Jakarta, for example, there are more gambang kromong groups than in South Jakarta and East Jakarta.
Today there is also the term "combination kromong gambang". Combination of kromong combinations is a gambang kromong orchestra whose tools are added or combined with modern Western musical instruments such as melodic guitar, bass, guitar, organ, saxophone, drums and so on, resulting in a change from the pentatonic barrel to diatonic without disturbing. It does not diminish the peculiarities of the kromong itself, and the songs played are fair and not forced.

Below you can download some of Gambang Kromong songs here :
1. Balo-Balo
2. Cente Manis
3. Kicir-Kicir
4. Kue Pepe Diloyangin
5. Ondel-Ondel
6. Rokok Kretek
7. Sayur Asem
8. Si Jali-Jali
9. Si Jampang
10. Sirih Kuning
11. Stambul
12. Surilang

Tuesday, April 24, 2018

Download Calung

about the exact thing about the beginning of its appearance, based on the shape calung in West Java consists of four kinds of forms, namely Calung Rantay, Calung Tarawangsa, Calung Gamelan and Calung Jingjing.

Calung art is a karawitan dish in sekar-gending form, which uses sekar (vocal) and gending (instrument) in its presentation. Calung musical instrument is one of the Sundanese musical instruments made of bamboo, but not all types of bamboo can be used as the basic ingredients of making calung, usually blackish-colored bamboo or commonly called awi wulung. The sense of calung according to the General Dictionary of the Sundanese Basa is 'tata tuhan awi guluntungan, aya anu siga gambang aya anu ditiir sarta ditakolannana bari dijingjing' (tetabuhan made of bamboo, some like gambang, some are pinned and beaten while carrying). While the other sense of calung is the performing arts that waditra principally use calung.

Calung's current performing arts have undergone many developments in its presentation and form. At the beginning of its existence calung art functioned as a means of ritual, the ceremony of honor to Dewi Sri on the harvest celebration, but over time, calung performances now shifted function becomes a means of entertainment for the general public. This occurs after the calung changes in the packaging. Responding to the development of art, Soedarsono argues that: '............ .. In this modern technological era the outline of the performing arts function in human life can be grouped into three: 1) as a means of ceremony, 2) as personal entertainment, 3) as a spectacle. Although in history the oldest function of performing arts is for ceremonies, ............... '(Soedarsono 1985: 18).



Pict : Calung Jinjing

After experiencing a period of development in the form and packaging, calung art has given birth to many groups that are well known by the community, including calung UNPAD, calung Ria Buana, calung DAMAS, Layungsari, Glamor calung group, Jebrag and many others. From some of the above calung groups have given birth to vocalists or calung singers who in principle have a vocal color or a distinctive feature in comparison to the type of vocals in Sunda karawitan, such as on kawih, tembang, and so forth. One of the singers of songs calung enough known to the public until now is Hendarso or Darso. The public recognizes the Darso figure well from the typical style of singing songs. Vocal voices accompanied by ornamentations, dress styles and attitudes in singing seem to be a characteristic and familiar to the community. Quoting Yus Wiradiredja's words in Iman Herawandi that: 'The advantages of other groups, Calung Darso has good artistic cultivation, especially the presentation and processing of his voice has not been set aside'. This is reinforced by Ubun Kubarsah's opinion on the same source:

"The Calung Darso Group has a vocal identity from its Hendarso interpreter in singing songs, either own songs or other people's works, unique vocal techniques, simple ornamentation-style songs. So that each song that was delivered both the song itself and the song of another person felt the song has a voice identity Darso "(Herawandi 1997: 6).

It is not known what lies behind Hendarso's performance in singing every song he sings, his voice, how he dresses, whether he 'imitates' the appearance of one of the singers who had been there before, or whether this can be seen as a creativity from a Hendarso. As Guilford puts it in Deni Hermawan on the definition of creativity in the person dimension states: "Creativity refers to the abilities that are characteristic of creative people" (Creativity is defined as the ability that is the nature of the creative person). Or is Darso's creativity formed through an artistic process, referring to Munandar's opinion that states: "Creativity is a process that manifests it self in fluency, in flexibility as well as in the originality of thinking" (Creativity is a process that is reflected in its own smoothness, flexibility also authenticity of thought).

Below this you can download modern calung by Darso :
1. Bentang di Cilampuyang
2. Cucu Deui
3. Dina Amparan Sajadah
4. Duriat
5. Ema
6. Kabogoh Jauh
7. Leuyang
8. Mangkade
9. Maripi
10. Markonah
11. Matak Kabita
12. Mawar Bodas
13. Mega Hideung
14. Mega Sutra Pantai Carita
16. Panganten Anyar
17. Sumerah
18. Taeun
19. Tanjung Baru
20. Ulah Ceurik

Wednesday, April 11, 2018

Download Sundanese Pop

Doel Sumbang, Sundanese musicians from West Java, Indonesia. A singer, whose real name is Abdul Wahyu Affandi first time starting a career in the art world when he joined the theater Remy Silado. The origin of the name "Doel" is when he is in the theater Remy Silado.

While the name "Sumbang" pinned him for the songs that he is playing identical with the impression quirky, punk, vulgar, and eccentric. Abdul Wahyu Affandi or better known as the Doel sumbang was born in Bandung, West Java, May 16, 1963, is a musician from West Java. He began his career in the theater in "theater Remy Silado". From there he gained the nickname "Doel", the name "Sumbang" is associated with songs eccentric, vulgar, and punk. He achieved success through her duet with Nini Carlina through the song "Kalau Bulan Bisa Ngomong","Aku Cinta Kamu" and "Rindu Aku Rindu Kamu" as well as a duet with Ikko through songs Cuma Kamu.

Doel Sumbang also known as Sundanese musicians. He sings songs about the lives around Urang Sunda (Sundanese People) . Doel Sumbang also several times acted as a songwriter for singers in Indonesia, such as Ikko, Ita Purnamasari, Yhanti Yuning also in duet Agnes Monica and Eza Yayang who was then still a child singer in the album YA!.
Works - his work is comparatively quite a lot as well as his strong character as a musician and singer made often equated with other musicians such as Ebiet G Ade, or Iwan Fals. Doel Sumbang successful to reach for his song titled "Kalau Bulan Bisa Ngomong" In this song, he collaborated with Nini Carlina. He was also popular through the song titled "Rindu Aku Rindu Kamu" "Cuma Kamu" and "Aku Cinta Kamu". Doel also the Sunda ethnic music artists. He did much to bring the songs associated with the ethnic culture of the Sundanese people.
Through the cold hands, he has a lot to create the next song sung by renowned singers like Ita Purnamasari Indonesia, Yhantu Yuning, Ikko, and much more. Songs Doel's work is quite a lot that can be said that the quality of the Doel Contribute as a musician country has been able to compete with other top singers such as Iwan Fals and Ebiet G. Ade. A series of song titles ever Doel bring them is "Kali Merah", "Solehah", "Ai", "Aku Si Raja Goda", "Aku Tidak Sinting", "Aku Tikus dan Kucing", "Awewe Sapi Daging", "Ah Hoream , "Anjeun", "Bandung", "Beja Ti Jurig", "Berenyit", "Barade", and many more Sundanese songs.

You can listen or download Doel Sumbang's Songs Below :
1. Bagja Jeung Cinta
2. Bogoh Jeung Saha
3. Bulan Batu Hiu
4. A'i
5. Bandung
6. Beja ti Jurig
7. Berenyit
8. Ceu Romlah
9. Ditalipak
10. Jampe-jampe Harupat
11. Jawara Banci
12. Jol
13. Kumaha
14. Lalaki
15. Martini
16. Mumun
17. Naha Salah
18. Nani
19. Pangandaran
20. Pepeling
21. Polisi
22. Ringsek
23. Dor Dar
24. Duriat
25. Hanjakal
26. Kaduhung Panggih
27. Kateyep
28. Laut
29. Urang Sunda

Monday, April 9, 2018

Download Tarling

Tarling is one kind of popular music in coastal area north (pantura) of West Java, especially area of ??Indramayu and Cirebon. The name of the tarling is identified by the name of the instrument gitar (guitar) and suling (flute) and the term of Yen wis mlatar gage eling (If so many sinful repent immediately). The origins of tarling began to appear around 1931 in the village of Kepandean, District / District Indramayu.Strains of guitar and bamboo flute that presents music Dermayonan and Cerbonan it began to infect around the decade of the 1930s.


At that time, young people in various villages in Indramayu and Cirebon, accepted it as a lifestyle. Favorite and popular trends, in jondol or ranggon so many young people love to play it, the art of music is getting loved. In 1935, the tarling music was also equipped with a soap box that served as a drum, and a jug as a gong. Then in 1936, the strains of tarling equipped with other musical instruments such as baskom and small ketipung that serves as percussion. But certainly, the name of the tarling when it has not been used as a type of musical flow. At that time the name used to call this type of music is Melodi Kota Ayu for Indramayu and Melodi Kota Udang for Cirebon region. And the new tarling name was inaugurated when RRI often broadcast this type of music and by the Government Agency Daily (currently DPRD or Regional Parliamentary) on August 17, 1962 inaugurated the name Tarling as the official name of the music.


But one thing is for sure, the art of tarling at this time though has been almost extinct. However, tarling forever will not be separated from the history of pantura coastal communities. Because tarling is their soul, by joining the sawer on stage or just looking at it, and hear it as if able to eliminate the burden of life burden. Song lyrics and stories told in it, also able to provide an enlightening and entertaining moral message.

You can try to listen or download this kind of tarling musics below :
1. Tarling-Banyu Urip
2. Tarling-Dharma Bakti
3. Tarling-Jala Sutra
4. Tarling-Kidang Mas
5. Tarling-Lahir Bathin
6. Tarling-Ngati-ati
7. Tarling-Ngumbara
8. Tarling-Saedah Saba Desa
9. Tarling-Segagang Melati
10. Tarling-Sunya Rangi
11. Tarling-Wangsit Pujangga

Saturday, April 7, 2018

download cianjuran

In Cianjur, West Java, Indonesia where this originated music is called mamaos. Named Tembang Sunda Cianjuran since the 1930s and inaugurated in 1962 when the Tembang Sunda together meeting held throughout Pasundan in Bandung.
Art mamaos is a Sundanese vocal art with a musical instrument kacapi indung, kacapi rincik, suling, and or rebab. Mamaos was formed during the reign of Cianjur RAA. Kusumaningrat (1834-1864). Regent Kusumaningrat in making songs often housed in a building called Pancaniti. Hence he is famous for the name Kangjeng Pancaniti. At first the mamaos were sung by men. New in the first quarter of the 20th century mamaos can be learned by women. It is proven by the emergence of female mamaos interpreter, such as Rd. Siti Sarah, Rd. Anah Ruhanah, Ibu Imong, Mrs. O'oh, Ibu Resna, and Nyi Mas Saodah.

Mamaos material comes from various Sundanese sound art, such as pantun, beluk (mamaca), degung, and Javanese macapat song, namely pupuh. Mamaos songs taken from the vocals of pantun art called pantun song or papantunan, or also called Pajajaran song, taken from the name of the Sunda palace in the past. While the songs that come from the material pupuh called tembang. Both show the rules of rumpaka (text). While both vocal techniques use Sundanese processed vocal materials. But in the end both techniques of making this rumpaka there are combined. Songs of papantunan too many are made with the rules of pupuh.
In the early days of its creation, Cianjuran was a revitalization of Pantun art. Kacapi and the technique to play it is still clear from the art of Pantun. Similarly, the songs are almost all from the art of Pantun. Rumpaka song was taken from the story Pantun Mundinglaya Dikusumah.
During the reign of the RAA regent. Prawiradiredja II (1864-1910) mamaos art began to spread to other areas. Rd. Etje Madjid Natawiredja (1853-1928) is among the mamaos who played a role in this spreading. He is often invited to teach mamaos to districts in Priangan, among them by the regent of Bandung RAA. Martanagara (1893-1918) and RAA. Wiranatakoesoemah (1920-1931 & 1935-1942). When the mamaos spread to other areas and the songs that used the pattern of the puppets were numerous, the people outside Cianjur (and some associations in Cianjur) called mamaos by the name of the Sundanese tembang or Cianjuran, because this art is typical and originated from Cianjur. Similarly, when the radio NIROM Bandung in the 1930s broadcast this art call it with Cianjuran song.

Actually the term mamaos only shows the songs that have the pattern of pupuh (tembang), because the term mamaos is a refinement of the word mamaca, the art of reading books wawacan story by sung. Wawacan books that use the rule of this pupuh there is a melagukan with rancag chanting techniques and techniques. Mamaos songs harmonized pelog (degung), Sorog (nyorog, madenda), salendro, and mandalungan. Based on the material origin and the nature of the song mamaos grouped in several wanda, namely: papantunan, jejemplangan, dedegungan, and rarancagan. Now also added type kakawen and panambih as its own wanda. Songs mamaos of the type of tembang many use the pattern of pupuh Kinanti, Sinom, Asmarandana, and Dangdanggula, and there is a song from other pupuh. The songs in the wand of papantunan include Papatat, Rajamantri, Mupu Kembang, Randegan, Randegan Kendor, Kaleon, Manyeuseup, Balagenyat, Putri Layar, Pangapungan, Rajah, Gelang Gading, Candrawulan, While in wanda jejemplangan of which consists of Jemplang Panganten, Jemplang, Cidadap, Jemplang Leumpang, Jemplang Titi, Jemplang Pamirig, and so on. Wanda dedegungan include Sinom Degung, Asmarandana Degung, Durma Degung, Dangung Degung, Rumangsang Degung, Panangis Degung and so on. Wanda rarancagan in between; Manangis, Bayubud, Sinom Polos, Kentar Cisaat, Kentar Ajun, Liwung Sinom, Asmarandana Rancag, Setra, Satria, Kulu-kulu Barat, Udan Mas, Udan Iris, Dangdanggula Pancaniti, Garutan, Porbalinggo, Erang Barong and so on. Wanda kakawen include: Sebrakan Sapuratina, Sebrakan Pelog, Toya Mijil, Wood Supreme, and so on. Wanda panambih include: Slave Ceurik, Toropongan, Kulu-kulu Gandrung Gunung, Renggong Gede, Panyileukan, Selabintana, Soropongan, etc ..
At first mamaos serves as a musical entertainment tool of hospitality among the folk. But mamaos now, in addition to still like the original function, has also become a entertainment art that is profitable by artists such as art. Mamaos is now often used in entertainment celebrations of marriage, circumcision, and various purposes of entertainment or traditional events.

You can listen or download some of cianjuran songs. Click the links below :

1. Cianjuran-Ayun Ambing

2. Cianjuran-Ceurik Rahwana

3. Cianjuran-Sekar Manis

4. Cianjuran-Udan Mas Udan Iris

5. Cianjuran-Jaka Sunda

6. Cianjuran-Bangbara

7. Cianjuran-Rajah Galunggung

8. Cianjuran-Rajah Pamuka

9. Cianjuran-Mupu Kembang

Wednesday, April 4, 2018

Download lagu The Carpenters

Karen dan Richard Carpenter adalah dua bersaudara kelahiran New Heaven Connecticut Amerika Serikat yang berhasil membangun Duet The Carpenters menjadi Duet Vokal dan Instrumen menjadi terkenal dengan ciri khas harmoni musik popnya. Mereka berhasil membukukan sejumlah rekaman terpopuler di American Top 40 dan menjadikan mereka sebagai tokoh terkemuka dari genre "Soft Rock" dan mereka mendapat salah satu tempat terkemuka diantara para artis rekaman saat itu.
Diperkirakan lebih dari 100 juta album dan single mereka yang terjual dipasaran Amerika dan Eropa dan memasukkan mereka dalam bagian "daftar pemusik rekaman terlaris".
Prestasi The Carpenters yang telah diakui adalah berhasil memasukkan 12 lagu dalam "America Top 10" dimana 3 lagu mereka pernah menjadi posisi 1 dan 5 lagu di posisi kedua di "America Top 10" yang merupakan acuan keberhasilan seorang penyanyi ataupun grup musik.

Lagu-lagu The Carpenters bisa didownload dibawah ini :

1. Carpenters-Ave Maria

2. Carpenters-Dont Cry For Me Argentina

3. Carpenters-Hurting Each Other

4. Carpenters-I Wont Last A Day Without You

5. Carpenters-One Love

6. Carpenters-Only Yesterday

7. Carpenters-Rainy Day And Monday

8. Carpenters-Solitaire

9. Carpenters-Superstar

10. Carpenters-This Masquerade

11. Carpenters-Top of The World

12. Carpenters-We've Only Just Begun